Rolling drums come through with impact, and there’s a sense of attack behind Gilmour’s electric contribution. It isn’t without punch or energy either, as a spin of Pink Floyd’s In the Flesh? demonstrates. There’s greater momentum to the instruments, coupled with slightly greater dynamic subtlety in the vocals.ĭynamically, the Miracord 70 easily scales the heights reached by Cave on Green Eyes - it just doesn’t have quite the same agility as the Clearaudio when it comes to subtler transitions. This becomes apparent when the synth, maracas and organ sequence that introduces Brompton Oratory comes through our ATC speakers. However, the Clearaudio Concept – our favourite deck at around this price for quite a while now – has both a tighter grip on rhythms and greater drive.
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